A Surprising Alliance: Seattle Artists and Nuclear Energy Advocacy
It may come as a shock, but during the early 1990s, a unique coalition emerged at the crossroads of art and science in Seattle. Artists rallied to support the development of nuclear energy at the Hanford site, leading to a series of innovative discussions and performances that challenged conventional perceptions of both art and energy.
The Catalyst: James Acord
One of the central figures in this artistic movement was sculptor James Acord, who made a significant life change by relocating from Seattle to the Tri-Cities. Drawn into Hanford’s nuclear community, Acord became an influential advocate for nuclear energy. His passion for the Fast Flux Test Facility (FFTF)—a prototype breeder reactor—ignited a creative response among fellow artists. This initiative spearheaded the formation of a group that labeled themselves “YIMBYs” (Yes In My Backyard), signaling their support for advancing nuclear technologies.
“Load the Reactor”: An Artistic Movement
The artists’ movement culminated in a series of performances known as “Load the Reactor.” Hosted at Seattle’s Fremont Fine Arts Foundry, these events blurred the lines between art, science, and public engagement. They provided a platform where artists, scientists, and community members could come together to engage in open dialogues about the future of nuclear energy. The energy that radiated from these performances was palpable, illustrating a unique collaboration dedicated to stimulating meaningful discussion and advocating for nuclear power.
Revisiting a Moment of Unity
A new exhibit titled “Load the Reactor: A Study for the New Nuclear” will be unveiled on September 4 at the Arts Center in the Consolidated Information Center at Washington State University Tri-Cities. This exhibit seeks to revisit the extraordinary convergence of Seattle artists and nuclear proponents, creating an opportunity for reflection on a moment when creativity aligned with a technological cause.
Brian Freer, co-curator of the exhibit and a research fellow at the Hanford History Project, states, “The idea of pro-nuclear Seattle artists might seem counterintuitive. But the collaboration that unfolded was visionary—an early example of how artists can shape conversations around energy, technology, and policy.” His keen observation hints at the intricate tapestry of perspectives that the exhibit aims to portray.
Exhibit Highlights: Exploring the Intersection of Art and Technology
The exhibit showcases works from several notable artists, including Acord, Arthur S. Aubry, Warren Dykeman, Joe Feddersen, Etsuko Ichikawa, Paul Korsmo, and Jay Needham. Through an engaging array of multimedia installations, visitors will explore various themes such as:
- Past, present, and future reactor technologies
- Public engagement with nuclear energy
- The role of artificial intelligence and data centers
- The evolving relationship between art and science
These themes reflect a comprehensive exploration of how nuclear energy intersects with contemporary challenges and technological advancements.
A Call for Reflection and Dialogue
As the world grapples with pressing energy challenges, this exhibit invites the public to envision what a “new nuclear” future might resemble. Freer emphasizes the vital role of art in facilitating discussions about this form of energy: “Our goal is to create a forum for exploration, reflection, and dialogue.” With the ongoing global imperative to decarbonize and power a burgeoning digital economy, the exhibit serves as a timely space for contemplation.
Opening Event: A Gathering of Minds
The public opening of the exhibit is set for 5:30 p.m. on September 4. This event promises to be a rich gathering of minds, featuring talks from notable figures, including Rachel Allen, curator at the Museum of Arts and Culture, Bruce Hevly, a professor of history at the University of Washington, and Jay Needham, an artist and professor at Southern Illinois University Carbondale.
Accompanying programming will enhance the exhibit experience, including roundtable discussions and community events aimed at addressing today’s energy challenges.
Ongoing Exploration
Running through February 27, 2026, this exhibit is not just a nostalgic look back at the intersection of art and nuclear energy but a forward-looking initiative that seeks to engage with current realities and future possibilities. Sponsored by the WSU Tri-Cities Hanford History Project, it promises to be a distinctive cultural event that challenges our understanding of art and its role in shaping public discourse around energy and technological advancement.